Beats

Periferia de París, octubre 2016.
Periferias de París, octubre 2016.
DSC02291
Paris Periphery, October, 2016.

wrestling with the ideas

Another way of describing “to chat” is to say you’re “shooting the breeze.” That’s a way of saying that chatting is pleasant, it’s polite, it’s airy, it’s light, but it’s empty. It doesn’t matter. Nothing depends on it. It’s a way to pass the time.

It’s normal. It’s fake.

it’s a form of verbal badminton. (Shuttlecock)

…vs to discuss

 

Even when you begin, you must react.

 

Our national temperament is intolerant of listening.

 

Through the actor’s actions, a series of separate but logically connected physical or psychological activities that breathe life into the play and create the moment-by-moment truth.

“To reminisce,” is to soliloquize

reminiscing is itself a means of escape from the sometimes unbearable realities of the present.

When I reminisce, I become detached and my words take on a poetic quality. To reminisce is to reinvent the world. Remembering is simply experiencing it all over again, which is closer to description.

To reminisce is different from telling a story.

Reminiscing has in it longing, pain and loss.

The reminiscence has a sequence of ideas. Paraphrase the sequences so that the ideas are in you, not in the words. Fill in the sequence with your own words without the text in order to make the words of the author belong to you.

Stella Adler. The Art Of Acting.

They say I lie or feign/In all I write. Not true. It’s simply that I feel/ By way of imagination. The heart I never use.

Fernando Pessoa. Autopsicography.

Excesiva simetría

“You cannot use a brand new word in an old language because of the very obvious yet always mysterious fact that a word is not a single and separate entity, but part of other words. Indeed it is not a word until it is part of a sentence. Words belong to each other, although, of course, only a great poet knows that the word "incarnadine" belongs to "multitudinous seas.”

V. Woolf

 

DSC01724
Corcubión, Galicia

Después de un parto prolongado, el cráneo del niño se presenta como un molde del estrecho inferior de la pelvis maternal.

S. Freud, «Un tipo particular de escogencia de objeto en el hombre» (1910), trad. D. Berger. J. La vida sexual. París, PUF, 1969 (ed. revisada y corregida, 1977), p. 50-51.

anamnesis material

un lugar para perder el espacio

resuena siempre en futuro, un hueco sobre el alma.

¡Todo huye! Porosa es mi presencia

y la santa impaciencia también muere.

15-16

¡Rompa el cuerpo esa forma pensativa!

ebria en tu carne azul

17

Paul Valéry, El cementerio marino. Versión de A. Gutiérrez Hermosillo.

Wreckage, 2016

Cada uno es mucha gente.

El poeta es un fingidor.
Finge tan completamente
que finge que es dolor
el dolor que realmente siente.

(Autopsicografía)

Comprendí que las cosas son reales y totalmente diferentes una de otra:
Lo comprendí con los ojos, jamás con el pensamiento.
Comprenderlo con el pensamiento hubiera sido encontrarlas
todas iguales.

(Si, después que yo muera…)

F. Pessoa, Tengo pena y no respondo. Antología poética.