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This Diana Markosian photograph is from a new series on refugees learning to swim. The image features in the 'Women Seeing Women' exhibition, which is on display at @staleywisegallery in New York until the end of August. Find an exhibition near you to mark World Photo Day today. See Magnum exhibitions around the world on magnumphotos.com/events. PHOTO: "Hanan Saeed Abdo, 15, from Iraq, boarded a small rubber boat in Turkey to cross the Mediterranean. It was night. She remembers many families on that boat, crammed together shoulder to shoulder, feet to feet. She was sitting on the edge. A year later, now in Germany, she is among a handful of refugees learning to swim as a way of overcoming fear of water." Wolfsburg, Germany. March, 2017. © @markosian/#MagnumPhotos #DianaMarkosian #WorldPhotoDay

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MetaModern – Jordi Colomer in #BRUTgroup

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Photo by @zitrusfrisch Selection by @farvator91 Congratulations on this intriguing capture of architectural perfection. Please do visit the amazing gallery of the featured artist/photographer and share your architecture-view loves ___________________________________________ ◽Use #architecture_view  for a chance to be featured ◽ ___________________________________________ Please, take a minute for visiting our friendly hub: @skyscraping_architecture @arkiminimal #archimasters #minimal_lookup #lookingup_architecture #architecture_greatshots #facade #architecturephotography #architecturewatch #modernarchitecture #architecturedesign #skyscraper #rsa_architecture #architektura #architecture_hunter #unlimitedcities #architectural #archigram #archiporn #architectureschool #architecturestudent #archidesign #archidaily #beautifularchitecture #architizer #архитектор #housedesign #architectures #architecturephoto #архитектура

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peripeteia

VICKY VICTORIA (2016). Mapa visual con imágenes halladas en Internet y en el archivo familiar. / Visual Map built up with images found on the web and family photo-archive. 120×80 cm.

En un contexto social en el que el espacio público y la memoria histórica se hallan en deriva, se evidencia la imperiosa necesidad de reinvención de la noción de lo común. Resulta para ello imprescindible llevar a cabo un ejercicio de reflexión crítica, poniendo en cuestión lo habitual, lo asumido como natural dentro de nuestra cotidianidad.

In a social context in which public space and historical memory are drifting, an urgent need to reinvent the notion of the commons is evidenced. It is essential to carry out an exercise of critical reflection, questioning the habitual and taken-for-granted, all what is assumed as natural in our daily lives.
Monumento del Arco de la Victoria de Moncloa. / Victory Arch of Moncloa (Madrid).
Establecer un diálogo en relación al espacio público, la memoria y el arte, generando conexiones virtuales. / To establish a dialogue on public space, memory and art, creating virtual connections.
Fotografías de Albert Louis Deschamps tomadas a las pocas horas de la entrada de las tropas de Franco en Madrid a finales de marzo de 1939. En la imagen vemos el viaducto de Cantarranas o de los Quince Ojos, una de las estructuras que Eduardo Torroja Miret (1899-1961) construyó en la Ciudad Universitaria antes de la guerra. / Albert Louis Deschamp’s photographs taken a few hours after the entry of Franco’s troops in Madrid in late March 1939. The picture shows the Cantarranas or Fifteen Eyes Viaduct, one of the structures that Eduardo Torroja (1899-1961) built in the University City of Madrid before the war.

Paseo por una guerra antigua: memoria fragmentaria from B Prummer on Vimeo.

Un hombre mutilado camina, apoyándose en una muleta, por la Ciudad Universitaria de Madrid, donde perdió una pierna, recordando lo ocurrido durante la Guerra Civil…

Montaje realizado a partir del material grabado como práctica de fin de curso 1948-49 del IIEC por Luis García Berlanga, Juan Antonio Bardem, Florentino Soria y Agustín Navarro.

Dirección: Luis García Berlanga, Juan Antonio Bardem, Florentino Soria y Agustín Navarro.
Argumento y guión: Luis García Berlanga, Juan Antonio Bardem, Florentino Soria y Agustín Navarro.
Fotografía: Antonio Navarro Linares (B/N).
Reparto: Agustín Lamas.
Año de producción: 1949